
I fear this could be developed into a metaphor for the way the United States conceives of its relationship to the rest of the world. I'm either unwilling or unable to do that right now, though.
Another thing: The climactic scene depends upon the recitation of poetry.
One more: Incredible scene. The boys meet up with a central-casting redneck in the woods in Alabama. He takes them home to his central-casting redneck shack with rusting appliances in the yard. Opens the door, and inside it's decorated like a SoHo loft. People, listen: it's not an entirely inaccurate reading of Alabama. How did they know that?
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