
Some terrific set pieces. The dinner party where all the guests are seated on toilets around the table and eat their dinners in private rooms is fun, but the story of the missing schoolgirl who keeps protesting to her worried parents and teachers that she is actually present, is downright poetic.
Buñuel's so reassuring. Still thrilled by the same old depredations and obliquities, nearly a half-century after Un chien andalou. Like a grandpa giggling at a screening of Porky's. I wish he'd lived long enough to see Haneke's Funny Games, or Carax's Pola X. Would he have cheered or squirmed to see how far it's become necessary to go in order to go too far?
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