
Borges because there's a giant library of forgotten books and because the line between the imaginary and the real gets blurry. Dickens because the main character's a motherless kid coming of age who's helped by one-dimensionally generous characters and hindered by one-dimensionally evil characters and because it's really, really long. Eco because it's a mystery with literary pretensions and because it's really, really long. Garcia-Marquez because there are some slightly magical realist elements and some extremely complicated family trees. Hugo because there's a horribly disfigured self-loathing tortured artist. So fair play to you, blurbers, fair play, but you neglect to add that the book's also overwritten, occasionally purplish, and frequently downright sloppy in its repetitions and lapses in both narrative and psychological consistency.
All in all, a good airplane book, especially if you're flying somewhere pretty far away, like Mars.
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