
It would be interesting to watch this movie in a double bill with Almodovar's All About My Mother. Both films feature heart-of-gold and tough-as-nails transvestites, an overarching plot structure dependent on a search for lost parent(s), love/hate relationships with the Church and its representatives, and totally giddy, far-out, campy-as-hell-and-then-some art direction. Hm. Gets you thinking. England:Ireland :: Franco:Spain?
As in The Crying Game, transvestitism is used here as a juicy metaphor for Anglo-Irish relations. Issues of crossing, passing, identity, and fear of the other tear up Kitten's personal life while at the same time those same issues are tearing up public life of both England and Ireland. The film manages to be sweet and smart at the same time. A lot like Kitten herself.
Sidebar: Stephen Rea has a terrific cameo as Kitten's magician lover. Where is this guy's star turn? He's so excellent, but aside from his roles in Jordan movies, he seems to get nothing but minor parts. Or am I forgetting something?
I realize just now that I watched this, coincidentally, the same week that Ken Loach's The Wind that Shakes the Barley, also starring Murphy, also dealing with Irish troubles, won the Palme d'Or at Cannes.
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